I expect to post a greatly revised keyboard improv book in a couple of months. It’s a major update of the keyboard book mentioned on my home page. The two volume effort will contain, in total, more than 1000 music examples and over 500 pages. My intent, for now, is to offer the materials free of charge. Teachers and students will be able to download, make copies of any pages. A generous copyright notice should appear with the work. Volume One will become available first. Below, read the Forward for Volume One. I’ll be posting more info on this project in the days to come.
Would you like to become an accomplished keyboard improviser? How about the ability to play instantly any worship song you hear, transpose it to another key? Or do you aspire to create captivating harmonies, arresting melodies and bass lines?
Are you motivated by a burning desire to help your congregation sing out with energy and conviction, and to bring out the words and theology in worship songs? (I must admit, this is a personal passion of mine.) Would you love to have at your fingertips an abundance of ideas on what to do, how to proceed, and concrete ways to develop yourself? Then this book is for you!
For many years I have been teaching keyboard improvisation to music majors whose primary instrument is the piano at Biola University, an evangelical university of 6000 in the Los Angeles area. Many of these students, guys and girls with “classical chops”, possess quite a bit of technique, and read traditional notation fluently. The majority, however, cannot improvise, cannot think in music, or do so in a simplistic, halting manner. They don’t know what to do. They are most comfortable with written-out music.
On the other hand, I’ve had other students who are pretty good improvisers and have real imagination, but read traditional notation slowly and hesitantly, and are very limited in their understanding of how music works. The differences between the two, in both background and aptitude, can be startling, even extreme! This is my attempt to meet the needs of all of these diverse learners.
I’ve discovered approaches that work for different kinds of students. Many times I’ve gone back to my office after a lesson and have added another step, another example, to improve clarity. In other words, be assured these materials have undergone much scrutiny, thought, testing, and revision. My sincere thanks to you, my students, who have helped me understand your needs and desires better. I’ve learned much from you.
A big problem! I understand young people, particularly, would like the book to contain the very latest, “hot” worship songs as examples. But this doesn’t make much sense for a book of this sort. The latest songs tend to last a couple of years and they’re gone. Nobody seems interested in singing them anymore. The “turn over” rate is simply astonishing and it’s unrelenting! Therefore, I’ve chosen well-known hymns and worship choruses with at least some proven staying power… stuff you’re likely to continue to use.
The book is aimed primarily at college-level students who have acquired at least a minimum of two semesters of music theory. And you should also know that this book deals predominantly with harmonic possibilities, and less with rhythm.
Nevertheless, this book should be helpful to any intelligent intermediate to advanced keyboardist, even if you may not know much music theory and consider your sight reading skill deficient. Why? First, many examples are extremely easy to read. Second, the step-by-step approach, replete with an abundance of music examples and explanatory written comments, communicates in simple English what is going on musically and theoretically in worship pieces. It breaks down harmonic and improvisational concepts into small, achievable chunks.
In another worship book I wrote, The New Worship: Straight Talk on Music and the Church (Baker, 2001), I called for an outpouring of worship materials in all areas, including music, the dramatic and visual arts, and works that would embrace the theoretical, practical, and pedagogical. I pledged myself to contribute to the effort (p.35). These two keyboard volumes are part of my effort to make good on that promise.
Finally, if another writer/contributor can borrow from what I have written, improve upon it, and advance the field, wonderful! Nothing would make me happier than to see the Church built up, rise up, and offer a paean of praise to our Lord Jesus Christ.