Category Archives: The New Worship Theory Book II: Harmony
CONTENTS (Theory Bk Vol II)
13. Finding the Right Key
14. Creating Hymn Charts Simplifying
15. Creating Drones/Pedals—Simplifying
16. Progressions Down a Fifth—Building Up
17. Substitutions Down/Up a Third—Building Up
18. Sus Chords—Ways to Incorporate
19. Sus Extensions—Lush & Beautiful
20. Added Seconds
21. Quartals I
22. Quartals II
23. Substitution of Major Ninth (No Third)
24. Doubles/Alternating Chords
25. Altered Fifths
26. Integration Project
27. Exam
Chord Catalogue
Generated by Dr. Barry Liesch at Biola University
Draft in Progress, November 2012
Chord Symbols Catalogue TBk2
27 Exam TBk2
26 Integration Project TBk2
25 Sevenths with Raised or Lowered Fifths TBk2
https://worshipinfo.com/wp-content/uploads/2012/07/25-Altered-Fifths.pdf
23 Substitution of Major Ninth (no third) TBk2
22 Quartal Harmony II TBk2
Quartal Harmony (chords comprised of fourths) is used extensively in jazz. This chapter demonstrates more kinds of quartal possibilities & their function: interior quartals, chains of quartals, quartals used with the pentatonic scale, piling on three or four quartals in a single chord, and using quartals with drones and chord planning situations.
21 Quartal Harmony I TBk2
This chapter introduces an easy way to incorporate quartal harmony (chords comprised of fourths) into praise choruses & hymns. The unique & valuable symbol, C2Q (from bottom up: D.G.C), is introduced and explained. Another way to think of this is to use numbers in the scale. The scale degrees, 258, would also represent a quartal chord. Quartals sound particularly good with the third in the bass (eg., C2Q/E). Examples, exercises, assignments are offered.
20 Added Seconds TBk2