CONTENTS (Theory Bk Vol II)

13. Finding the Right Key

14. Creating Hymn Charts Simplifying

15. Creating Drones/Pedals—Simplifying

16. Progressions Down a Fifth—Building Up

17. Substitutions Down/Up a Third—Building Up

18. Sus Chords—Ways to Incorporate

19. Sus Extensions—Lush & Beautiful

20. Added Seconds

21. Quartals I

22. Quartals II

23. Substitution of Major Ninth (No Third)

24. Doubles/Alternating Chords

25. Altered Fifths

26. Integration Project

27. Exam

Chord Catalogue

Generated by Dr. Barry Liesch at Biola University

Draft in Progress, November 2012

22 Quartal Harmony II TBk2

Quartal Harmony (chords comprised of fourths) is used extensively in jazz.  This chapter demonstrates more kinds of quartal possibilities & their function: interior quartals, chains of quartals, quartals used with the pentatonic scale, piling on three or four quartals in a single chord, and using quartals with drones and chord planning situations.

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21 Quartal Harmony I TBk2

This chapter introduces an easy way to incorporate quartal harmony (chords comprised of fourths) into praise choruses & hymns.  The unique & valuable symbol, C2Q (from bottom up: D.G.C), is introduced and explained. Another way to think of this is to use numbers in the scale. The scale degrees, 258, would also represent a quartal chord.  Quartals sound particularly good with the third in the bass (eg., C2Q/E). Examples, exercises, assignments are offered.

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