CONTENTS (Improv for Singers & Instrumentalists)

http://1to1movement.org/we-are-educators/ Introduction

http://sawaworld.org/awards Order Adipex Online Canada Part One: Rhythmic Freedom

1. Anticipating & Delaying Phrases

Buy Phentermine For Weight Loss Part Two: Melodic Ornamentation

http://retrokitonline.net/shop/page/20/?add-to-cart=702 2. A Starting Place—Notes of Approach

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Buy Xanax 3Mg Bars 4. Connecting Melody Notes

Buy Valium China Part Three: Melodic Re-Design

5. Replacing, Subtracting, Inverting Melody Notes

http://warriorsworlddad.com/?author=1/page/7 6. Tension Notes—The Appoggiatura

Buy Phentermine 37.5 White With Blue Specks 7. Projects

Part Four: Improvising Stylistically

Buy Diazepam Sleeping Tablets 8. Embellishing with the Pentatonic Scale

http://warriorsworlddad.com/?p=423 9. Blue & Hot: Basics of Blues & Gospel

Buy Adipex P Online Buy Valium In Australia Online Part Five: Extended Melodic Elaboration

Buy Phentermine Pills 10. Achieving Continuity through Sequences

http://salmoncreekfarmersmarket.com/?plugin=all-in-one-event-calendar 11. Creating New Lines, Echoes

Buy Roche Diazepam Uk 12. Reshaping Phrases, Paragraphs, Whole Pieces

Buy Alprazolam China 13. Free Improvisation

Order Valium Canada Appendix 1: Chord Catalogue

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Draft,  March 15, 2011

Appendix: Chord Catalogue S&I

Includes newer symbols: C2, Cadd2, and C2Q, and extensions

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/Appendix-1-Chord-Symbol-.pdf”]

13 Free Improvisation S&I

The process of improvising: (1) learn chords thoroughly (or choose a progression like the circle of fifths); invent a motive; stick to one style (don’t drift into others); gradually introduce more syncopation, ornamentation, rhythmic subtlety, and range.  Demonstration.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/13-Free-Improvisation.pdf”]

12 Reshaping Phrases, Paragraphs, Whole Pieces S&I

Small motivic shapes; sequencial phrase shapes; reductive graph of broader shape. Compositional ideas for improvising.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/12-Reshaping-phrases-b-copy.pdf”]

11 Creating New Lines, Echoes, Descants S&I

Choosing the right piece, embellishing the melody, creating independent lines;  inverting, echoing, free form, and antiphonal responses.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/11-Lines-Echoes-Descants.pdf”]

10 Achieving Continuity: Melodic Sequences S&I

Harmonic sequences, melodic sequences, partial sequences; improvising on Pachelbel Cannon, What Child is This? Angels We Have Heard on High. Demonstrations & exercises.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/10-Sequences.pdf”]

09 Blue & Hot: Blues & Gospel S&I

Blues scale, pentatonic scale, boggie, jazz waltz, scoops, spills, shuffle, chromaticism: demonstrations, exercises, mp3s

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/09-Blue-Hot1.pdf”]

08 Pentatonic Scale Embellishment S&I

Chapter on major & minor pentatonic scale; pentatonic fills have a gliding feeling; practice playing over or through chord changes.  Pentatonic scale is universal, appearing in almost all cultures–easy to sing.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/08-Embellishment-wPent.pdf”]

07 Improvisation Projects S&I

Complete an improvisation project. Seven model demonstrations: pieces notated, analyzed.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/07-Projects.pdf”]

06 Tension Notes—The Appoggiatura S&I

Appoggiatura: leaps above the target note & resolves by step; colorful, emotional, creates tension; rising & falling appoggiaturas; the preparation. Examples, assignments. The appoggiatura (leaning note) occurs frequently (especially) in sax improvisation, though it can be just as effective in any instrument, and vocally as well.

[gview File=”http://www.worshipinfo.com/wp-content/uploads/2012/07/06-Tension-Notes-Appoggiatu.pdf”]